Rihanna, Chris Brown moving in together

Rihanna is planning to move in with her boyfriend Chris Brown.

The �Umbrella' singer and Chris - who cover to importune they ar just friends despite enjoying a amatory break in the Caribbean earlier this month - have been seen looking at sumptuousness apartments in Los Angeles together.

A source revealed to America's Star magazine: "She and Chris want to live together. They bet their music loud though, so they want a condo that's soundproof."

The couple are aforesaid to get visited several properties in Beverly Hills, including the luxurious Sierra Tower.

It has also been claimed Rihanna, 20, and 19-year-old Chris are intermeshed, after the Barbados-born peach was seen wearing a diamond ring on her engagement finger.

Meanwhile, Rihanna partied with Leonardo DiCaprio.

The �Disturbia' star began her evening at Hollywood nightspot Coco de Ville, before meeting Leonardo at the Villa lounge.

The stars and their entourages so went gage to Leonardo's Hollywood home at around 2am to continue partying.

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Download Alva Noto mp3

Artist: Alva Noto: mp3 download    Genre(s):  Electronic Dance     Discography:      For    Year: 2006    Tracks: 9      Transform    Year: 2001    Tracks: 10      Prototypes    Year: 2000    Tracks: 10 Alva Noto is the anonym of German audiovisual aid aid creative person Carsten Nicolai. Born in the east German urban center of Karl-Marx-Stadt in 1965, Nicolai first studied computer architecture and landscape purpose in the first place pursuing an interest in the theoretical properties of sound and space. Resettling in Berlin in the early '90s, Nicolai founded the experimental music mark Noton.Archiv Fuer Ton Und Nichtton as a platform for his conceptual and experimental melodious concerns; which finally took cast as a 12-issue CD and magazine series called 20 to 2000, released in 1999 and 2000 on Raster-Noton Records, which had integrated his own judge with Olaf Bender's Rastermusic concern. With that conceptual masterwork out of the way, Nicolai adopted the name Alva Noto (as simply Noto, he had through with some small recordings and performances geological dating as far indorse as 1996) and recorded 2000's Prototypes, a ten-track, 50-minute record album of ignoble sound collages constructed from the existent sound of electrical hums and clicks, amplified and arranged into a series of discrete movements that move beyond mere ambient music into a unscathed new realm of environmental euphony. 2001's Transubstantiate develops the trend soon dubbed glitch by the buzzword-happy electronica tantrum, an all-new sic of decade evanescent pieces.

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Gallows give away new song free

Gallows will make a new sung dynasty, 'Gold Dust', available to download justify from their MySpace sir Frederick Handley Page, MySpace.com/gallows, from 7pm (BST) tonight (August 18).


The minute-long song volition not characteristic on the Watford-band's forthcoming new album, which the band ar about to begin demo-ing in preparation to record it by and by in 2008.


See the new issue of NME, kO'd Wednesday (August 20) for an interview with the band on the forthcoming album and their preparations for the Reading And Leeds Festivals.



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Kaycee

   
Artist: Kaycee

   Genre(s): 
Trance
   

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Discography:


   
 Love Stimulation

   Year: 1998   
Tracks: 5

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Gene Variations In Diverse Patient Populations Determine Who Responds Best To An Antidepressant

�A new Mayo Clinic study shows that variations in the serotonin transporter gene could explain wherefore some people with depressive disorder respond better than others to treatment with citalopram (Celexa), an antidepressant medication.




The study, in the stream issue of the American Journal of Medical Genetics Part B: Neuropsychiatric Genetics, examined the serotonin

Adele - 19

Flushing aside the myriad of female singer-songwriters on the market at the moment, Adele could be something special. As it stands she enters the marketplace searching for the element of uniqueness among the saturation and therefore seems to have more to prove. Her debut album '19' goes a long way towards stamping her musical talent on the public awareness.
From the outset we can feel a gutsy, angst-ridden vibe from the young singer, infusing her music with a brash, funky kind of girl power (for want of a better phrase), built around the strength of the female voice - gravelly and coarse, therefore setting her in a different bracket to the aforementioned plethora of female talent currently championing the charts.
While her debut chart-topping single 'Chasing Pavements' is a great catchy pop song, it is on the more simplistic and bare tracks that Adele's vocal range is really evident. The teenage singer works a range of music styles here from the blues-inflections of 'Crazy for You' to the stripped-back 'First Love', creating a sound that is mature and soulful.
What is refreshing is that Adele isn't afraid to present her raw voice, exposed - without instrumentals clouding the sound. The result is plenty of stripped-back material, that is reliant on the natural strength of her voice to carry the stories she tells in her songs.
If you're now thinking that '19' sounds like a whine-fest then have a listen to the brighter and bolder tracks like 'Right As Rain' and 'Cold Shoulder' before making a judgement. Filled with big beats, they offer a fresh vibe before the album has a chance to become tired.
She has Mark Ronson's stamp of approval, she has a sound that is far older than her 19 years and she isn't afraid to speak her mind - Adele has the potential to go far and she certainly seems to have her head screwed on in terms of the fame game. We can probably expect much more creative material from her as 19 becomes 20-something.
Linda McGee

Sonny J, Disastro

Disastro has to be the most misleading misnomer of the year: Sonny J's debut is messy with styles, overcrowded with samples and almost overbalances with the respect it pays to different genres, times and places. Yet it never approaches even the outskirts of disaster. The album takes a bucket of ideas and shakes them up in a ragbag of influences. What comes out is as sweet and surprising as a birthday cake.

There's more to this collection though, than just a collection of warmed-over riffs and recycled vocals; Sorrow could easily be the lead track from a Chris Martin solo project, and it works perfectly as a standalone island of high quality, old-school music for musicians.

If you've ever worshipped at the temple of DJ Shadow or bowed before Beck, you'll find more than enough eclecticism here to whet your aural appetite. If you remember the early days of Big Beat, when the likes of Fatboy Slim and Bentley Rhythm Ace were at their most inspired, you'll adore the quirky blending of arcade-game sound effects, heavy metal guitar and francophone girlie-pop which kicks off the set.

And if you can remember back to the time of the Banana Splits TV show, during the golden age of Detroit pop at Hitsville USA, you'll recognise the skills employed on Can’t Stop Moving. It's surely no coincidence that master label EMI have released this gorgeous piece of work on old the $tateside imprint, one time home to Motown's output in the UK.

This is that rarest of musical creatures; a debut album full of promise.

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